The Nursery of the Society
Kalistan's Bar and Club scene a breeding ground for culture and social harmonySulari, Suldanor
September 5, 5199Thrash Metal band Black Deth plays for a crowd of 8 at Kat's Dive Club in SulariThe Bar and Club scene in Kalistan has long been a fertile bed for the growth of new bands, but it is also seen as one of the major sources of Kalistani culture, and a great implement that encourages social harmony in the Empire.
In Kalistani circles, it is believed that almost one tenth of the entire population has been in either a semi-professional band or a practice band at some point before they are 30. Most of these bands go nowhere and will break up after playing a show at a party or several weeks of practice. But occasionally, a band will find some traction in one of the more than 30,000 clubs, bars, and music venues across the Empire. Such a high ratio of establishment per citizen is one of the primary reason for Kalistan's long music and arts scene, and is a direct driver of Kalistan's cultural station in the world.
Bars and Clubs as promoters of Kalistani MusicOn any given night, there are more than 6500 concerts held by tons of local bands who land gigs, or bands which are specifically hired as house bands and play for a set fee. Life as a house band has its pros and cons, as does all things. On the one hand, the ability to hire a house band signifies that the club owner feels that the band is popular enough to draw a crowd on a regular basis: since bars frequently make their money from the sales of alcohol, drugs and cover charges, the band serves as a draw. These bands tend to be well known local acts who are technically proficient but are either at the very beginning of their career, or never cared to make a play for a national audience. Or they do not want to tour, and therefore never decide to leave the city.
The draw back to being a house band is that house bands tend to be locked into exclusivity contracts, with fairly hefty severance fees, as bar owners see the hiring of a house band to be a capital investment. This means that if they are heard by a record executive, they won't likely be able to withdraw from their contracts in a timely fashion. They can escape the contract if it is bought out, and if the band is good enough, a label will buy the contract out, but this initial investment usually only accompanies high faith from the label that the investment will be recouped through record sales, and the catch 22 is that the fanbase for a house band is almost always local and therefore not enough to guarantee return on investment. Most house bands therefore will remain in place for the duration of their career, and playing music becomes a job.
House bands, though only make up about 15% of Kalistani's bands. The remaining 85% are considered independents. They are free agents who have to hustle to make a living. Clubs usually have house bands play two nights a week, leaving the other 5 nights open for "general entertainment" Thus, independents will spend a good portion of their time auditioning for a slot on one of the general nights. On a given night, a bar may hire up to six bands for entertainment all evening, but musicians also compete with comedians, magicians and lecturers, and they all compete for a portion of the "artists' share" of the night's take. For example, if bars earn K10,000 profit in a night, and their "artists' share" is set at 65%, and there are 5 bands who play at that bar that night, the band itself will split K1300 between them. Granted, K10,000 profit is far and above what average clubs and bars usually earn, so while it may seem lucrative, the artists' pay is dependent on a number of factors which makes their living very precarious, including not even getting a slot that night at all.
The insecurity of the independent is generally offset by the mobility they experience relative to the House Bands. The Independents are free to sign on with record labels without requiring high initial investment from the Record Labels, who do not need to buy out any contracts in the case of independent bands. They are free to organize their own tours with brother and sister bands from the area and try to reach a national audience, or move to a new scene where their music may be more appreciated. Independent bands tend to either be complete unknowns or have a more regional reach which is more attractive to a record label. The one unifying thread with all independent bands is that they are entirely insecure unless they are very good. But unlike the house bands, they do not often practice as often, usually have less initial skill and experience with their music and are not as good. Regardless, six independent bands are signed to record labels for every one house band which is, so for those who have national (or international) ambitions, independence is the preferred route to take.
The Business Model of The Bar and ClubThe Club's entertainment director is a central figure in every club or bar. This man or woman is a highly valued employee who needs to have a working understanding not only of creative arts like music, so he or she can say what is "good" but also needs to have skill in bookkeeping and financial management. The contracts the Entertainment Director signs can either make the bar a lot of money, or can cost the bar dearly. It is the rare individual who possesses both skills in equal measure: Usually entertainment directors are much stronger in one or the other, and this usually works to the detriment of the establishment. This is why the National Tavernowners' Association sponsors training programs at various colleges and universities across the Empire to identify and train ideal candidates for the positions, and this is why the most successful entertainment directors are some of the most highly paid individuals in the service sector. Those who have had great success frequently find a second career as record executives.
One of Kaliburg's most successful Entertainment Directors, Katherine Singh, of the Naked Walrus Saloon in Zappa CityThe music tastes of patrons of a given bar are not eclectic. One of the reason there are so many bars, nightclubs, and music venues in the Empire is because each club caters to a different genre and clientele. Some clubs are exclusively rock clubs, who sell high priced drinks to rich clients. Others are dive bars with sawdust floors that are swept up every night, where patrons can expect to see at least one physical altercation. There is a bar, club or venue for each taste in nearly every city, town, or village. As the Bar makes its money by attracting patrons, specialization tends to work out for the Bar's advantage: A club that doesn't have a set theme and clientele may experience more volatility night to night than a Bar which attracts the same patrons back over and over because it is the "RF Club" in town, for example.
Music is the preferred form of entertainment, of course, but some clubs feature poetry readings, or comedy shows. Other bars cater to the weird, where bands who will never be hired at mainstream clubs and bars can find work. Other clubs host shows which are strictly adult in their nature. Mainstream acceptance of the sort of entertainment tends to feedback: A club that hosts famous or excellent performances tends to do better financially, and those bars then can turn around and hire better quality talent, while niche bars and clubs tend to feature more underground or new, up and coming acts.
Over all, the nightlife scene in Kalistan is by far the most profitable private sector activity in the Empire. The bars, lounges, clubs and Venues part of the economy annually draws more than K32.5 billion, and these operations tend to be hundreds or in some cases, thousands of years old: Despite the nationalization of huge sectors of the economy since the mid 2700s, there has never been a national effort to nationalize or remove bars and related establishments from the private sector.
The Bar and The Club as Pillar of the Dual Economy and the Nursery of Kalistani CultureOverall, the bar, club and venue scene in Kalistan serves directly as the nursery of Kalistani cultural and music tastes, and indirectly, fashion, and attitudes toward the world. Without the bars, clubs, and venues, Kalistani culture would be very sterile, people wouldn't be as outgoing or tolerant of differences in their midst, or welcoming of outsiders.
Bar owners and club owners are seen as pillars of the free enterprise side of Kalistan's Dual Economy, and are often pointed out by liberal economists as a vindication of the functioning of a market: In the bar scene, given the saturation in Kalistan of this particular type of enterprise, going to a club is an entirely free choice on the part of the consumer. They have an abundance of very real options, they have perfect information with regard to what sort of clientele is at a given bar, easily obtainable information regarding the sort of entertainment the bar will offer in a given night, and no compulsion, formal or otherwise to patronize a given bar. Owners must meet the demands of the consumers, or lose money. In this sense, we see a perfect meeting of supply and demand curve which simply is not present in almost all other economic exchanges under systems like capitalism.
Therefore, there is a high incentive for bar owners to trim their margins to almost nothing, provide attractive entertainment options, and generally cater to the tastes of their patrons. This doesn't leave a bar owner completely without agency in this mix: They enjoy a fairly high status in their communities, and serve often as tastemakers. It doesn't matter how big a band is, or how strenuously an Entertainment Director lobbies for a particular band, of the owner vetos the band, that band will not play in that bar. The owner can freely weigh the loss of those patrons who would have just come in for that band against their own preferences, and most bar owners are fine with this trade off.
IN addition to being drivers of economic activity in the private sector, Kalistani bars and clubs are our Nation's great social equalizers; these public establishments serve as the meetinghouses and social hubs of our great society, and when a worker can knock back a pint with his boss while listening to some great alternative band at the local watering hole, many differences that plague other societies lose their saliency here. Not only does our thriving nighlife scene promote social harmony, but it also consistently sets Kalistan as one of the premier nations for International Cultural production, which furthers our National policy of goodwill and friendship toward all peoples of Terra, which does more to keep Kalistan safe than a million ship navy would.